All About Soundtracks Review:
Continuing his collaboration with director Jonathan Liebesman, Brian Tyler scores Battle: Los Angeles, which was catalogued by the critics as a poorly written and poorly acted movie, and the same could be said about half the movies Tyler scored. In this case, however, Tyler provides an unexpected disappointment.
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All About Soundtracks Review: The highly acclaimed Argentine/Spanish murder thriller The Secret in Their Eyes (in the original, El Secreto de Sus Ojos) is the winner of this year's Oscar for Best Foreign Language Film. This film has mystery, crime, and revenge. But also a deep, nostalgic love. And that's clearly the main inspiration for the duo of composers for the score, Emilio Kauderer and Frederico Jusid. (Read more.)
All About Soundtracks Review: Salt is a new action thriller, starring Angelina Jolie for more than obvious reasons. The score by James Newton-Howard matches what was expected for such a movie.
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All About Soundtracks Review: After composing the scores for the first three movies in the Harry Potter saga (and providing the memorable and famous Hedwig’s Theme), John Williams was replaced by Patrick Doyle for the fourth installment, Harry Potter and the Goblet of Fire. (Read more.)
All About Soundtracks Review: Inception is the third collaboration between director Christopher Nolan and Hans Zimmer. For this score, Zimmer creates a soundscape that is, well, different. (Read more.)
All About Soundtracks Review: In the successful The Omen, from 1976, the wonderful score from Jerry Goldsmith garnered him his only and deserved Academy Award. (Read more.)
All About Soundtracks Review: Ridley Scott’s Kingdom of Heaven, instead of calling for the bombast talents of Hans Zimmer, as in Gladiator, called of a different approach which was handled by Harry Gregson-Williams. Actually, Kingdom of Heaven can be considered, in terms of instrumentation and mood, a superior cousin of Gregson-William’s more recent Prince of Persia: The Sands of Time. This is a very consistent, solid score, from start to end; however, it will take some time to sink in. If you let it though, you’ll be amazed. (Read more.)
All About Soundtracks Review: The third (and better) book of the Twilight Saga was brought to the big screen through the vision of David Slade (also director of Hard Candy and 30 Days of Night). This movie differs from its predecessors in its faster pace and less melodramatic romanticism. This includes tough decisions about growing up and a big battle at the end. Howard Shore is then more than obviously in his comfort zone to score this movie. (Read more.)
All About Soundtracks Review: In the 2009 reboot of the Star Trek franchise, director J. J. Abrams turned to Michael Giacchino to recreate the music for it, something the composer had already done in the third movie of the Mission: Impossible franchise. (Read more.)
All About Soundtracks Review: When you talk about Crash, you’re probably talking about the 2004 film with a score by Mark Isham. Well, in this review I’ll talk about a much darker Crash. It’s David Cronenberg’s Crash, from 1996, scored by the renamed Howard Shore. (Read more.)
All About Soundtracks Review: The most recent work from Howard Shore in the thriller genre once again proves his ability to make an orchestra feel deep and somber. (Read more.)
All About Soundtracks Review:
Returning from the fifth and probably worst entry on the Harry Potter franchise, director David Yates brought back with him his fellow composer Nicholas Hooper.
While the movie definitely improved over the last one, the score continues to be too little given that this is a Harry Potter movie. There’s just not enough density in Hooper’s composition and orchestration.
Hooper’s second entry on the franchise continues to be poor when compared to prior scores, but it’s an improvement over the last one in terms of thematic development. (Read more.)
All About Soundtracks Review: After 14 years of troubled production, Basic Instinct 2 was here. Directed by Michael Caton-Jones, this late sequel lost everything that made its predecessor a classic: a titillating direction by Paul Verhoeven, a much younger and sexier Sharon Stone as main star, and a superb score by Jerry Goldsmith. (Read more.)
All About Soundtracks Review:
Polish composer Wojciech Kilar was hired to score Francis Ford Copolla’s strange Bram Stoker’s Dracula and created a score that is darkly melancholic, but most of the time the darkness or the melancholy is more audible.
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All About Soundtracks Review:
The debut chapter on the Twilight Saga was scored by Carter Burwell, who usually collaborates with the Coen brothers.
However, 2008’s Twilight is not a Coen brothers movie, and the music reflects the quality of the movie. Therefore, Carter Burwell can’t be the only one to blame for this very-less-than-average score.
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All About Soundtracks Review: Replacing Howard Shore in the scoring duties for 2005 Peter Jackson's epic King Kong, James Newton-Howard had only 5 weeks.
No one would guess it based on the result of his hard work.
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Preview of all the tracks from The Twilight Saga: Eclipse score, composed by Howard Shore (in some tracks, with the collaboration of Metric's vocalist Emily Haines).
All About Soundtracks Review:
The score from Hans Zimmer to the second Mission: Impossible movie is a two-face one.
On the one hand, Zimmer's use of electronics goes here to levels of mere, irritating noise. (Read More)